The films had Bond in a monopoly and there was no way a play could compete. After further thought, Glidrose shelved it with the ultimate decision that a James Bond stage play simply wouldn’t work. She recommended that the play not be produced. She was very elderly and in my opinion she just didn’t get it. It’s a shame that Peter and his colleague at Glidrose couldn’t attend that reading because the outcome might have been different.Īnyway, Glidrose paid me (which is more than what a lot of playwrights get!) and then they submitted the play to a British theatrical agent. The reading went very well and we then had a discussion with the audience about what worked and what didn’t. I wrote the play in 2-3 months and then held a staged reading of it in New York City in February 1986, using professional actors. Frankly, that’s really the only novel that could adapt to the stage.
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